This pillow represents 291,000 seconds, 4,860 minutes, 567 miles, and 81 hours in my sons life.
This pillow represents 291,000 seconds, 4,860 minutes, 567 miles, and 81 hours in my sons life.
I was introduced to big stitch quilting in 1993. Maybe 1994? It’s been a while and I can’t quite remember the exact date. 25 years and all. Anyhow, I was working at a quilt shop during my summers home from school, and a woman that taught classes there used big stitch quilting for a lot of her quilts. It was new to me. I’d never seen it. I’d only seen teeny, weeny hand stitching – all very traditional (and lovely) – and I immediately fell in love! I thought it was the coolest way to quilt.
I mean, tiny stitches are great but who needs 11 or 12 stitches an inch (and I most definitely couldn’t do that when I started!) when I can get away with 4 or 5, right? Besides it’s so much faster.
The first time I made a quilt with big stitch quilting was for a Christmas gift for my Dad. I used reproduction Smithsonian prints (very masculine and I still love those fabrics) and a 12 weight cream colored perle cotton. I probably (details are fuzzy here since it’s been a while) struggled to get the thread into the needle because I didn’t know to use a needle with a bigger eye. I have vague memories of fighting with a needle threader?? Nevertheless, I somehow managed to make it happen.
And I was so proud.
And I showed my quilt to said friend and she (very kindly) gave me a lesson.
BIG STITCH QUILTING MEANS THE STITCHES ARE BIGGER. NOT ENORMOUS.
If in an ideal world of hand quilting you get 11 or so stitches in an inch of quilting, you should have less with big stitch quilting; meaning your stitches are bigg-er.
Yeah. So that sank in for a bit. My stitches were HUGE. I ruined my Dad’s quilt. dang it!
So, while I was a little brokenhearted about that – you know, messing it all up (even though the quilt isn’t messed up it just has really. big. stitches), I took it as a lesson to learn about this new art I was exploring and went on my way. My Dad was (and still is) none the wiser, and loved his gift. He and Mom still have it over a railing in their house. I had to text mom for photos, in fact. 🙂
To be honest, I didn’t use big stitch quilting on another quilt for a while. I was afraid I’d mess it up. Again. That was DEFINITELY a mistake. Mess up. Learn. Move forward.
So, moving right along through the next decade or two, I would occasionally pick up big stitch quilting again, always careful to make my stitches bigger but not ridiculous.
The most recent (ahem, I say recent loosely) projects are baby quilts. One for my youngest son (he’s almost 8) and another for a friend that just had her first baby.
See how the stitches in the left photo are really big? They shouldn’t be quite so large. Remember, they need to be bigger than traditional hand quilting but not HUGE. You can see 25 years of progress in the right hand photo. Big stitch quilting should be closer to this. Bigg-er than traditional hand quilting stitches.
When you first start, your stitches won’t be small. Even big stitch quilting. That is okay. Keep practicing until you find your rhythm. You will get there. Promise!
•Use a 12 weight perle cotton. You can use a slightly thinner or thicker thread, but I have found it’s a good weight for big stitch quilting.
•Use a longer needle with a larger eye. I like to use a sashiko needle, but there are big stitch needles in a variety of sizes. Buy a few and experiment
•Remember that you want your thread to fill the hole in the needle (or close to it). If the opening is too large, your thread will fray and eventually break.
•Practice, practice, practice!
Get discouraged. My first big stitch quilt had ENORMOUS stitches. It’s okay.
•Handmade isn’t always perfect.
•Handmade has mistakes.
•Handmade with love is better than anything you can buy. Imperfections and all.
I’ve never dabbled in cosplay. Whip up a costume? Sure. You need a Jedi robe? I gotcha covered. Usually when I do make a costume, it’s quick and easy. Down and dirty. Nothing too elaborate.
But armor and helmets? Nope. I’m at a complete loss.
Usually costuming my kids doesn’t cause me any anxiety or stress until October. You know, when I have to figure out how to make a costume for one of them. According to thing 1 and thing 2, I can make everything. I love that they think that. I love that I usually can make them happy (enough). Dabbling in a new medium to make it happen? Well, it made me a little nervous, and the last thing I needed or wanted in the days leading up to Halloween is to have a costume idea implode.
This year, littlest child was Spider-Man for Halloween. Easy-peasy, bought a costume. Done. Truth be told, he’s had a Halloween plan since last summer and has been happily wearing his costume for months. months, people, months.
Then oldest child chimes in on the subject. He wanted to be a Destiny 2 Warlock. WHAT?! I didn’t even know where to start, and after looking at the picture of the warlock online, I was really lost. I wasn’t quite sure where to begin so I thought on it for a while. I wanted something relatively easy that would get the look, but it didn’t have to be a full set of armor. At least in my mind.
It took me some time, but I figured out how to modify the costume using a black bathrobe. I found an image with the graphic S wanted to use. I cropped and enlarged the image in Photoshop, printed it, traced the reversed image (thankyouverymuch, technology) on fusible, then applied it to the robe.
Then I made the front panel with some Kona yellow and charcoal. The charcoal tail was long enough to wrap and twist around his stomach so it kinda resembled the stomach armor. Enough for a 10 year old kid for one night of the year.
Then the helmet. The dreaded helmet. I had visions of heavily facing some black, grey, and yellow fabric and making a hat until the child found a pattern. I didn’t love the directions, but the images of how to assemble the helmet helped me figure out how to assemble the helmet (sort of) correctly. The pattern was easy to download and print, and there aren’t a lot of pieces to make it.
Per the instructions, I used 10mm EVA foam. If I knew last week that a lighter, better foam was available to make the helmet, I would have gone that route. Sadly for me, I found better foam at market then didn’t have time to run back to the booth and get some before heading out to catch my flight. dang! But I’ll know for next time, so that’s good.
The foam is easy to cut if you have a FRESH X-acto blade. I realized halfway through I needed to change mine so some rough edges are visible. The edges with the new blade are super smooth. Unfortunately, you can’t see those.
I struggled to get the foam to mold the right way. I didn’t have a heat gun. I’m sure the higher temps would have been better than my hair dryer. I also wasn’t quite sure what I was doing. Bend, heat, repeat, and hope it held the shape. Super glue did a great job holding the pieces together but I did have to work to keep the pieces and the glue in the right spot until it took a little bit. I’m sure there’s a less messy way to get the glue onto the foam than my approach. I was definitely feeling clumsy with this hat. The pieces were big, and not bending quite the way I wanted.
I give myself a solid C- on the helmet. You can see in the image below that S painted it so some of my mistakes are a little less visible.
You can also see that the helmet was too big. Instructions say it’s one size, and it’s definitely big. Knowing what I know now, I’d change a few things to make V2.0 better. There’s a definite learning curve to this stuff, and I’m sure a LOT of tips out there to really fine tune your work. Next time, I’ll know where to look.
Perhaps even next time, S will wear the helmet while we trick or treat.
Yep. I held it the entire time. 🙂
As usual, I started this with just a concept in my head. For the most part it worked. Until I got to the borders. Then it got tricky.
And that’s saying something since the borders are just kinda borders, right?
Well, now they are.
If I actually sat down and drew out a plan (either on paper or my computer), I would have seen that extending the hexagons into the borders wasn’t going to work. At least not with this size hexie I was using. I mean, it would have been really cool, and it’s something I might use in the future.
You know, when I have the math all sorted.
After I had the center pieced, and had attached the inner border (which took much longer than expected because I had to variegate it), then I got to move on to the outer borders.
Originally my plan was to extend the hexagons from the center to the outside, but, like I said a few paragraphs ago, it didn’t work because I couldn’t make the corners fit.
See? I’d have to chop off too much of a hexie.
I also wish I’d realized that BEFORE I put on the top border.
It looked awful because I couldn’t halve the hexagons along the top – I had to have a hexagon at the corners – but I was not going to have ANY of that.
I tried a few different things like having a grey variegated border, but I wasn’t a huge fan of that either.
So, after fussing for a few days.
Daaaayyysss, y’all, daaayyysss….
I decided to get a print that reads as a solid and call it a day.
My hope is that when I (or someone else) quilts it, the borders will have some fun thread work. Perhaps I’ll have the quilting follow the color pattern of the quilt, going from red to pink to purple to blue to green.
I should probably make a plan for that before I start.
I’ve had my eye on Emily’s book for some time now and when I saw that her blog book tour was kicking off, I really wanted to be a part of it. Hexagons have been en vogue for some time now, and personally, I’m fascinated with all the great quilts that can be made from one shape. Hexagons are so versatile, incredibly fun, and really create dynamic, beautiful quilts.
I’ve made one hexagon quilt (you can see it in the header image on my home page). I wish I could say I’ve made more, and will fess up to the fact that the only other EPP quilt I started to make (ahem) 8 years ago is still an unassembled mess of little hexagon shapes sitting in a box. I will get back to it, but I digress.
There are so many things that I like about this book. Emily includes instructions to machine piece AND English Paper Piece each quilt in her book so quilters have great versatility depending on comfort level, which method they prefer, etc. You can even mix methods if you are feeling wild! I like to machine piece, which explains the unfinished adventure in EPP from 8 years ago, but many of her tips and ideas work for BOTH methods, so you either way you win.
Confetti in Times Square (above) and Superstar (below) are my favorites! I love the elegant simplicity of Confetti in Times Square and in Superstar, I see something new every time I look at the quilt.
Right off the bat, I was learning things, like the difference between a rosette and a sprocket (page 4). I didn’t even know there were names for differently pieced hexagon shapes. And I like that there are quilt shapes called sprockets. I smile when I say sprocket. Emily offers some great tips about measuring hexagons, kites, triangles, and other shapes, but my favorite tips show you how to string EPP pieces together, tie knots (much better method what I’ve done in the past), and how to cut shapes using strip piecing. It’s absolutely brilliant!
I also like how Emily discusses pressing the hexagon units. I use the same method, more or less based on the fabrics, and furling my pieces, but her rule of thumb is going to stick in my head for eternity. And that’s a good thing. It’ll stick in your head as well.
If you’ve been wanting to try your hand at making a hexagon quilt, this book is for you! If you comment on my blog you will have TWO chances to win. I will randomly pick 2 winners using random.org. One of you will get a copy of Emily’s book, and the other will get a copy of my book (continental US, only).
Be sure to check out all the blogs on the tour below. They each have some great giveaways!
July 24- C&T Publishing www.ctpub.com
July 25- Generation Q Magazine http://generationqmagazine.com/
July 27- Marti Michell https://www.frommarti.com/
July 28-Clothworks Fabrics www.clothworks.com
July 29- Cathi Godwin, https://quiltobsession.blog/
July 30- Paper Pieces , www.paperpieces.com
August 1- Mary Huey, http://maryhueyquilts.blogspot.com/
August 2- Linda Franz, www.inklingo.com
August 3- Patty Murphy, https://pattymurphyhandmade.com (you’re here)
August 4- Cheryl Sleboda, www.Muppin.com
August 5- Wendy Sheppard, https://ivoryspring.wordpress.com/
August 6- Emily Breclaw, www.thecaffeinatedquilter.com
*C&T will send a hard copy to winners in the continental US and will send an electronic version to winners overseas.
My littlest is an artist and was born with a crayon in his hand. For as long as he’s been alive, Q-man has always been coloring, drawing, molding, sculpting, creating, building, and generally in his imagination. He has gone from one obsession to the next – Thomas the Tank Engine, Jake and the Neverland Pirates, Minecraft, Five Nights at Freddy, Spiderman….you get the idea. When he isn’t dressed up and pretending to be one of his favorite characters, he’s creating something. Always creating something. My house is covered with his artwork – most is on paper, in notebooks, some framed, some on the walls in his room. or furniture – and I don’t see that ending. Hopefully ever. Well, the drawing on furniture and walls can end.
Recently I read an article that really resonated with me. I can’t seem to find it, so I’ll paraphrase. The gist of it is that you should find something, anything, that you and your child love to do together, some shared passion, and cultivate it. That passion will get you through the tough years. My oldest is a mini version of my husband so I’m going to have to rely on my better half to handle S during the teen years. The littlest is a mini me….and let me tell you:
It’s hard to raise a little me. I’m a pain. A lovable, adorable pain, but a pain, nonetheless. I mean Q-man is a lovable, adorable pain.
I’ve thought about that article a lot over the summer and tried to find new ways to connect with my kids. The older one is more cerebral so baking, artwork, and coloring don’t appeal to him all that much. He’s definitely more of a challenge in the connecting with things that appeal to both of us (see above statement about husband picking up the work with this one in the teen years) but I’ve been better about listening to him talk about cars and space and other items that interest him, many of which I don’t know much about. I let him educate me, and love how his face lights up when he identifies planes and talks about rockets, spacecraft, and cars. He did declare that he wanted a quilt I was making, and I happily gave it to him, so that’s a win. And he’s been wanting to learn to cook so S and I have spent more time in the kitchen together. I’ve thoroughly enjoyed that. He picks one dinner meal we eat each week and has to help prepare it. That’s been fabulous!
While S is at drama camp this week (which he LOVES! it’s a nice change of pace and he’s having blast!), Q and I took a few hours to head to the High Museum of Art. We checked out the Warhol exhibit, excluding a section that was too mature in nature for him, and saw some other fun stuff. His little mind was blown. He couldn’t believe some of the art was art. You mean sitting on a log chair is art? whaaaa???? And as we went through the Warhol exhibit, what do you mean that’s a photograph that’s been enlarged, screen printed and painted on? Multiple times in different combinations…how is that done?! It was fascinating to see the wheels churning.
On the way out, we browsed through gift shop and found a GREAT book. It’s called 642 Things to Draw. If you can’t get to the High, or find it at a local book shop, you can buy it here.
The book is empty. Your young artist has to fill it. What a genius idea! Here are some of Q’s doodles:
The left side is a chocolate forest and the right side is a skeleton army, though it appears he forgot the army part, but one well drawn skeleton from the 7 year old is good enough for me.
The pages are subdivided differently so kids have an opportunity to work in different scales, and every section has something different to draw: a newborn ladybug, waking up as a zombie, happiness, an avocado wearing a coat, your junk drawer.
This book is an exploration in creativity.
Seriously, people. Get this book for your creative kid. He or she will love it! It’s been a BIG hit at my house.
A friend of mine called me a few months ago needing some help. Her dog chewed up her husband’s favorite childhood comforter and she wanted to cut it up and turn it into 4 blankets – one for each of her children. But she doesn’t sew so….
The comforter is super cute, and I see why husband loved it. White background with cute, brightly colored bicycles on it. It’s your standard sorta 70’s or 80’s era comforter with invisible thread and a poly backing that is somehow magically attached to the bike fabric. Except this one had holes.
Lucky for me, the blankets didn’t need to be the same size and I was able to cut around the holes to get four decent sized blankets. Decent enough for kids, at least. Cutting it was a bit of a challenge since the comforter has some puckers in it from the original quilting. Once I did get the pieces cut, I measured them – I arbitrarily picked sizes based on the space I could work with – then I cut flannel to size.
The easy part was getting a square piece of flannel cut. Because of the gathers in the top, I had to ease in in a few spots from the top and that made sewing down the binding a little less straightforward. I sewed binding to the flannel on two of the blankets, folding the binding to the top, and for the other two I sewed the binding to the top, and folded the binding to the back. I’m not sure which I liked better as they both presented some challenges.
Sewing the binding to the flannel was much easier but stitching the binding to the top of the blanket was harder because I had to work with all the puckers, folds and gathers from the top piece. The inverse is also true. In the end, though, they all look great and my friend is super excited with them.
I used a yellow and white polka flannel on the back of each blanket and each blanket has a different binding from my pile of scrap bindings. That also allows each child to have his or her own blanket that they can identify by the binding. I consider that a big win, especially for the littles that can’t read a name or a label.
Even bigger win is that she picked them up this morning and is going to surprise her husband for their anniversary tonight. Sweet!
Do you block your quilts? If you don’t, you should.
Truth be told, I don’t block all my quilts. They don’t all need it. If a quilt is going on a bed, or will be well used and loved, I see no reason to do the work. However, if you plan to put a quilt into a show you should block it. If the quilt is obviously askew, go ahead and do the work. That wall hanging not quite right? Block it. You will thank when you don’t continually look at a quilt that won’t lay flat or has really wonky, wavy sides.
So, what is blocking? Basically, blocking is the process of squaring up your quilt after it’s been quilted so it’s flat and square.
Even though we square up blocks and borders and all our pieces as we sew, the process of quilting can stretch your top (think quilting it out) and you may need to block your quilt. Sometimes your quilt just isn’t square when it’s quilted. Who knows? But it happens to a lot of quilts for one reason or another. Don’t worry if yours isn’t quite right – it can get fixed. Even the professionals have to block quilts from time to time. And, it’s important to reiterate: if you are going to put a quilt into a show, block it. You will never get a blue ribbon if your quilt isn’t perfectly square.
Blocking is one of the most underrated steps in finishing a quilt. I don’t think a lot of quilters talk about it – certainly not high on my list of quilt-related conversations – but for some reason it’s come up twice in the last few weeks. Maybe that’s a sign? I’m taking it as a sign.
I made this Little Lone Star for my friend Sarah to display in her booth during Quilt Con 2017. It’s a quick and easy quilt but I didn’t have time to block it prior to getting it back to her before the show. I knew it wasn’t quite square – mostly square, but not completely – because of all the bias and y-seams, even with starch, thankyouverymuch.
Honestly, I wasn’t even going to mess with blocking the quilt but since it’s not quite square and it’s been a recent topic of conversation in quilt circles (see also: sign), this turns out to be the best little quilt to show you how I do it.
Like most other things quilting, there are multiple ways to achieve your desired results. Blocking is no different, and I’ll go through my process below.
Before doing anything, wet your quilt in the tub. Make sure you get the quilt good and saturated, then press out as much water as you can. I just use my hands and press down into the lob of quilt I’ve created. Get as much water as possible out of the quilt before transporting it. I roll the quilt out of the tub onto a beach towel to take to the washing machine. This allows the towel to carry the weight of the quilt, meaning you are less likely to damage your quilt from the weight of the water. Gently dump your quilt in the washing machine and turn on the spin cycle.
Once you have a damp quilt, you are ready to start blocking. There are several different ways to block:
carpet over foundation trick
use a plastic drop cloth
use insulation foam/board
For all methods you’ll need:
Here’s the skinny on each:
In my old house, I worked in semi-finished basement room with an inexpensive carpet over the concrete foundation. I may have blocked quilts on the rug from time to time. The carpet on foundation trick worked extremely well. I mean, really well. I had a really solid, stable surface, I didn’t have to worry about t-pins scratching the floor and my quilts came out unbelievably square. So if you have an unfinished basement, get an inexpensive piece of carpet (perhaps a remnant?) and use that on the floor if you have space. Works like a charm.
Recently, I used a plastic drop cloth over carpet. I didn’t really care for the method. I should have cut down the drop cloth and taped or tacked down the edges. Not doing that resulted in a plastic sheet that shifted as I worked. I had to continually pull at the sheet and the quilt to get my quilt to square up. And it didn’t come out quite square on one side. I didn’t like feeling like my quilt wasn’t as taut as it could have or should have been because of the carpet and padding below, either. It could have been a rookie blocking-over-carpet and using a plastic drop cloth mistake, too, but I found greener pastures.
Method three is by far the one I like best. Insulation board. I am currently in the middle of blocking a 77’x72″ quilt and absolutely LOVED using the insulation board! You can buy it in 4’x8′ sheets. I had the home improvement store cut the board into 4′ square pieces so I could get it home. You can also buy 2′ square pieces of insulation board. The smaller pieces are more expensive but if you can’t fit large sheets of insulation board in your car then it’s the way to go.
Tape the insulation board together. I used painters tape because it’s easy to remove so I can store the 4’x4′ boards in the workroom. The example I have here uses a small quilt that fits onto a 4’x4′ board.
Open the quilt flat onto the board(s). You do not need to pull or stretch it, just open it. I make a few initial measurements (see diagram below). I block my quilts to the largest measurements. For example, if I measure 76″, 76 1/2″ and 77 1/4″ from top to bottom of a quilt, I make sure the quilt is 77 1/4″ long across left, center and right of the quilt.
Use t-pins to mark the longest measurements in those 6 spots, gently stretching the quilt where necessary.
I like to block with the binding on the quilt but not sewn down. I do this for two reasons. First, the quilt can stretch when you sew on the binding. If the binding is sewn down then I can’t stretch it as easily, though I have done that too, like with this example. I use bias binding so I have the ability to stretch the quilt. Second, you can stick t-pins through the seam allowance and not have to worry about messing up the top of your quilt since you’ll sew down the binding and cover up any holes the pins make. If this isn’t an option because the binding is already sewn down, carefully place pins along the edge of the binding where it meets the quilt. You can use your fingers to manipulate the fabric back into place once the pins are removed.
Next, I place a large, square ruler in the corner of my quilt. Gently pull the quilt so the edge of the binding is lined up with the edge of the ruler. Place a t-pin every 3-5 inches.
I like to have a long ruler that meets my square ruler to continue working along a side to get a straight edge. Line the rulers up along the binding (second photo). You can also pick a spot along one edge and measure a straight line across your quilt using rulers and tape measures (top photo). This works well if you have a lot of acrylic rulers or a small quilt.
I work my way across the quilt, extending from each side of the square ruler. When I am halfway down an edge of the quilt I place my square ruler in the corner to make sure I get it straight (not straight here).
I measure and remeasure as I pin to make sure all sides are the correct length or width. You might have to adjust and remeasure here or there.
Once you have the quilt square, leave it to dry. I like to put a fan on the quilt to help it dry faster. If it’s a nice day, I’ll leave the quilt outside to dry. I put a white sheet on top to keep of animals and debris.
When the quilt has dried, sew down the binding if you haven’t already, and enjoy your flat, square quilt!
I made this sweet little Lone Star quilt for my friend Sarah to hang at the Intown Quilters booth during Quilt Con 2017. She gave out the pattern during the show and I thought I’d share it here, as well.
The quilt is really quick and easy to put together. Enjoy!
Lone Star ~43-1/2” x 43-1/2”
Designed, Pieced and quilted by Patty Murphy,
based on my book Piecing Makeover
16 fat eighths
1 yard background fabric (we used Essex Yarn-Dyed Linen in Flax)
1/2 yd binding
Cut three 2-1/2” x 21” strips from each fat eighth.
First cut one 20” x 20”square.
Then cut four 12-1/2” x 12-1/2” squares.
1. Sew 12 sets of 4 strips. Press open seams.
2. Cut strip sets on a 45° angle. You will get 3 full strips from each set, giving you a possible 36 strips to use for your Lone Star. You will have extra to use.
3. Arrange the strips on a design wall to make the Lone Star. Four strips go into each diamond section.
4. Sew each of the 8 diamond sections together, making sure you off-set the seams to create perfect points. (pg. 110, Diamonds)
5. Once you have 8 diamond sections, sew the top 4 together to make the top of your star then sew the bottom 4 together to make the bottom half of your star.
6. Sew the 2 sections together, making sure you match points in the center and furl your seams to reduce bulk. (pg. 27, Furling Busy Intersections)
7. Using a y-seam, sew each of the 12-1/2” x 12-1/2” background squares into each of the corners. (pg. 105, Hexagons)
8. Cut the 20” x 20” background square twice on the diagonal to get 4 triangles.
9. Using a y-seam, sew the triangles cut in Step 8 into the quilt along the top, bottom, and sides. (pg. 105, Hexagons)
10. Quilt, bind, and enjoy! See it on IG: #pmlonestar
Like all good stories, this one starts the same way…
Once upon a time, I used to quilt all my quilts. I had, or made, the time to quilt all of them on my domestic. I enjoyed it, too, and for all intents and purposes, I did just fine. Actually, I still do just fine if I take my time. More to the point, if I have the time.
Just around the time my oldest was born, I realized that I didn’t have the time to quilt any longer. Piecing was easy to squeeze in, because a few minutes here and there eventually get results, but if I wanted quilts to actually get finished, I needed to send it out. We all know that it’s hard to quilt in ten minute bursts because by the time I’m warmed up and situated with the quilt at my machine, my ten minutes ends.
Introduce Regina. Regina is ah-mazing! Seriously, y’all! Ah-mazing! I was immediately drawn to her bubbly, creative spirit and if my friends were happy to send their quilts to her, then I should be too. On that note, I think it’s important to point out that some of these friends are quite particular about who can touch a quilt he/she has made so I felt confident that I was making the right decision.
Did I ever! Ten years later and it’s still some of the best money I’ve ever spent and quilts actually get finished, unlike the Meadow Quilt I made in February and started quilting in March. I’m STILL quilting that darn thing! See? Legit reason right there, and I’m only a few years late with that wedding present. sigh….
About a year ago, I started working on a pink and grey, machine pieced hexagon and LeMoyne Star quilt. I gave it to Regina in March and just got it back. She’s busy because she’s a total rock star, but it’s worth the wait to see the magic she made. My jaw drops every time I look at my quilt.
Unfortunately for you, I can’t show the front of the quilt because I have plans for it but I can show some of the back. Here’s a sneak peak. Enjoy.